1. Virtual Archaeology and Historical Accuracy

No nos limitamos a "dibujar en 3D". Creamos ventanas al pasado. Nuestra metodología se basa en la colaboración estrecha con los técnicos de patrimonio y archivos municipales. Antes de modelar, investigamos. Trabajamos sobre planimetrías, ilustraciones de época y documentación histórica para garantizar que cada piedra virtual tenga su justificación real.

• Compliance with Standards: All our work strictly follows the ICOMOS Seville Principles, The project is a way of guaranteeing authenticity and differentiation between the real and the reconstructed.
• Contextualisation: We respect the coherence of spaces and periods in order to offer a first class educational and tourist tool.

2. Tecnología "Low-Poly": Máximo Realismo, Mínimo Consumo

El mayor reto del 3D en turismo es que funcione en el móvil de cualquier visitante, no solo en los de gama alta. Utilizamos una técnica avanzada de modelado "Low-Poly" (Baja Poligonización) con texturas de Alta Definición.

• What does this mean for your destiny? We achieve photographic realism by using the minimum number of geometric triangles.
• The result: Immersive experiences that load fast, do not consume the tourist's data tariff and flow smoothly on smartphones and tablets.

3. 360º Immersion and Web Ecosystem

Forget about forcing the user to download heavy libraries (like Unity or Unreal) to see a monument. We are committed to universal web standards.

• Accessible Technology: We develop under proven WebGL, A-Frame and Three-JS standards and libraries. This ensures that the reconstruction is seen directly in the browser or app. Aumentur frictionless.
• 5K qualityWe generate immersive 360º renderings at a minimum resolution of 5K, allowing the user (avatar) to look in any direction with crystal-clear clarity, even compatible with Virtual Reality (VR) glasses.

4. Cutting-edge tools

Our team of 3D artists work with the industry's leading suite of tools (Blender, Adobe Substance) to create materials that react to light in a realistic way, recovering volumes, colours and details that time had erased.